Between late November and late February waiting three albums in a particular way. And for the accuracy are: Subsonica, Baustelle, Offlaga Disco Pax.
The first was released a week ago, I bought it the day after the release, I spent about 5 days to hear continuously, morbid and almost autistic.
In search of sun, which always manages to escape after an eclipse. I begin
Subsonica to be a guarantee, with their incessant rhythms and biting lyrics give emotions as well.
It must be said that in this new work, there was a return to the past, scores more electronic style of "Emotional Microchip." This thing can not make me that pleasure, that I've been looking for a way to Turin band to focus his thoughts in a mood which carries with its high and low flows.
Perhaps the only flaw is the parallelism between voice and sounds, seem to run on two separate tracks, so that when expansion is doubtful whether the instrumental pieces are not nearly as beautiful without the voice of Samuel.
But so much so that after a few plays is familiar, and then the voice attaches to developments in the arrangements.
So, after "Earth" the quintet Turin (Samuel, Boost, Ninja, Vicio, C-Max) returns electronically as bad and maybe it never was. We just have to listen
kidnapped, waiting for the next metamorphosis.
To listen: Poison
(Track 1)
Ice Age (Track 3 and first single)
Quattrodieci (Track 7 pure subsonic)
Alibi (Track 10 melody dreamily)
In search of sun, which always manages to escape after an eclipse. I begin
Subsonica to be a guarantee, with their incessant rhythms and biting lyrics give emotions as well.
It must be said that in this new work, there was a return to the past, scores more electronic style of "Emotional Microchip." This thing can not make me that pleasure, that I've been looking for a way to Turin band to focus his thoughts in a mood which carries with its high and low flows.
Perhaps the only flaw is the parallelism between voice and sounds, seem to run on two separate tracks, so that when expansion is doubtful whether the instrumental pieces are not nearly as beautiful without the voice of Samuel.
But so much so that after a few plays is familiar, and then the voice attaches to developments in the arrangements.
So, after "Earth" the quintet Turin (Samuel, Boost, Ninja, Vicio, C-Max) returns electronically as bad and maybe it never was. We just have to listen
kidnapped, waiting for the next metamorphosis.
To listen: Poison
(Track 1)
Ice Age (Track 3 and first single)
Quattrodieci (Track 7 pure subsonic)
Alibi (Track 10 melody dreamily)
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